wet on painting feminism and art culture

Finally, we look at a series of science fiction in terms of gender.ĭiverse texts on Feminism and Gender by Tine Milz are grouped into eight themes. What are subtle relations and irony between women’s education and art education, between feminist theory and gender studies? A look at the history of feminism in art theory and back at feminism in the Anthropocene.

The third Chapter brings us closer to the way feminists write. Who created and wrote the world we live in? Feminism is pretty often intricately linked to Sexism, Racism, Gender, and Politics. From the provocative 'Representations of the Penis,' which suggests novel readings of familiar images of masculinity and introduces new ones, to 'Appropriated Sexuality,' a trenchant analysis of David Salle’s depiction of women, Wet is a fascinating and informative collection.Ĭomplemented by over twenty illustrations, the essays in Wet reveal Schor’s remarkable ability to see and to make others see art in a radically new light.This collection has been compiled from a reading list by co-director Tine Milz at Theater Neumarkt, who contributed to Episode 2 : A bo ok I love. The essays include monographs on a variety of artists, where Schor stakes out ideological and theoretical positions with a view to finding a feminist painters.

Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to 'Figure/Ground,' an examination of utopian modernism’s fear of the 'goo' of painting and femininity. Wet: On Painting, Feminism, and Art Culture Mira Schor. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor’s own progress as a critic.īridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor’s most influential essays that have made a significant contribution to debates over essentialism. Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor’s writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited.

Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art.

Wet on painting feminism and art culture